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And there is something hauntingly beautiful being in a state of transition, about losing oneself temporarily. In the music video for the track, West and Wolf run confusedly through city streets. “Siren 042” begins with I “ try to forget” and arrives at I “ don’t remember anymore.” The song ends, similarly, on a note of loss, Sometimes I feel like other people I don’t remember anymoreįollowed by a cat’s meow and the sound of a kiss, seeming to suggest domestic comforts and gestures of, or pleas for, the familiar intimacies. By the end, I seem to be losing track of myself too. I find myself getting lost in Wolf’s scatting, waiting for the reverse snare to hit, or for the guitar refrain to appear again. There is a lulling, comforting quality to “Siren 042.” The music is to the point, bittersweet, and hypnotic. It reaches its high points when Wolf joins in, complimenting West’s voice in the lower register and echoing, This is the punishment (For one and all) It’s exactly what I wanted (Don’t call it off) Here is the punishment (It’s all I have) How I always get excited (Don’t call it off) Lala Lala & WHY? © Katie Hogan The tone straddles between a symphonic pathos and an earthy severity, swirling in guitar riffs and landing on kicks and snares. The instruments vary from orchestral synth riffs to a catchy guitar refrain that reappears later in the song.
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In sound, West’s vocal emerges with clarity, sincerity, and just a drift of sadness. West sings matter-of-factly about being “evil,” and the rest of the verse gives rise to an acceptance of the past alongside a blurry confrontation with the present, of deciding against who one was and trying to locate who one is now. Offering up confessions that are reflective without being moralistic, self-aware without being overly critical. They fill up the space with anticipation and set the scene for displays of vulnerability, beginning with the admission of, And I’m sorry I was evil I don’t do that anymore I just copy other people Try to forget what was before The track begins with a minimalistic four-note guitar intro against a humming noise in the background. “Siren 042” is no different, though it’s a bit gentler, somehow more delicate, the first in a string of subsequent collaborations of a softer bend. The songwriting project of Lillie West, Lala Lala has made a mark through verve and ardor, carrying her emotions in rock-infused, melodic tunes. “Siren 042” – Lala Lala & WHY? There was a siren at night A collaboration with WHY?’s Yoni Wolf, Lala Lala’s “Siren 042” is a track that evokes more than it seeks to explain. And in the aftermath, we are left grappling for a sense of self. We foresee the fault in our acts, and we readily accept, perhaps even desire, the consequences. In “ Siren 042,” Chicago’s Lala Lala writes about the inevitability of our actions all too well - the ones that defy rationality and the warning signs, that leave us unambiguous in our guilt. Lala Lala and WHY?’s 2019 single “Siren 042” beautifully unfolds the intimate affordances of guilt.
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